![]() |
| 1968: Fantastic Four #79 - Jack Kirby |
![]() |
| 1976: Fantastic Four #168 - Rich Buckler |
Comic book swipes and homages, along with art that appears to have been--at least in part!-- inspired by other art. And there's lots of the Silver Age Fantastic Four here because that was just about my favorite comic book back then!
![]() |
| Fantastic Four #168 (1976) Buckler Fantastic Four #79 (1968) Kirby |
![]() |
| Fantastic Four #168 (1976) Buckler Fantastic Four #79 (1968) Kirby |
![]() |
| Fantastic Four #168 (1976) Buckler |
![]() |
| Fantastic Four #79 (1968) Kirby The panels on the pages |
![]() |
| Fantastic Four #79 (1968) Jack Kirby |
![]() |
| Fantastic Four #168 (1976) Rich Buckler |
![]() |
| 1965: Fantastic Four #44 - Jack Kirby 1976: Fantastic Four #168 - Rich Buckler |
![]() |
| Top: 1965: Fantastic Four #44 Bottom: 1976: Fantastic Four #168 |
![]() |
| 1967: Fantastic Four #66 Jack Kirby |
![]() |
| 1967: Fantastic Four #65 Jack Kirby |
![]() |
| Fantastic Four 115 (1971) John Buscema Fantastic Four 32 (1964) Jack Kirby |
![]() |
| Fantastic Four 115 (1971) Buscema Fantastic Four 32 (1964) Kirby |
...and here, with Reed taking center stage in both #115 and 32.
![]() |
| Fantastic Four 115 (1971) Buscema |
![]() |
| Fantastic Four 32 (1964) Kirby |
![]() |
| Bottom of page 2 from Fantastic Four #149 (1974) |
![]() | ||
| Alicia in Fantastic Four #67 (1967) Jack Kirby And "perhaps" for Panel 3: That last panel of Medusa running down a circular, tunnel-like area may have been suggested by another Alicia panel in #67, or maybe not...it's a fairly typical perspective shot that's often used to depict someone running away. |
| Fantastic Four #67- Jack Kirby |