Fantastic Four 109 (1971) Buscema Fantastic Four Annual 6 (1968) Kirby Yep, still in the Negative Zone... |
Comic book swipes and homages, along with art that appears to have been--at least in part!-- inspired by other art. And there's lots of the Silver Age Fantastic Four here because that was just about my favorite comic book back then!
Many of you have let me know that some of my image pairings & arrangements pop up in other venues such as Facebook Swipe groups (esp. the great COMICS SWIPES Facebook group). Well, I'm flattered the posts are popular and that people enjoy PANELOCITY's swipes and "inspired bys", regardless of where they are presented. After all, the Internet is meant for sharing, right?
Friday, February 27, 2015
Fantastic Four #109 (Pt 4) Reed Richards, Wide-Eyed and Bushy-Haired
Thursday, February 26, 2015
Wednesday, February 25, 2015
Tuesday, February 24, 2015
Fantastic Four #109 (Pt 1) Annihilus and the Negative Zone
Monday, February 23, 2015
Fantastic Four #107 (Pt 12) The Final Page
Fantastic Four 107 (1971) Buscema Fantastic Four 78 (1968) Kirby
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FF 107 (1971) Buscema FF 78 (1968) Kirby |
The last sequence in Fantastic Four #107:
Last page of Fantastic Four #107 (1971) Buscema |
The Kirby panels from Fantastic Four #78:
Two-panel sequence on page 7, Fantastic Four 78 (1968) Kirby |
Last panel in FF 78 (1968) Kirby |
Friday, February 20, 2015
Thursday, February 19, 2015
Wednesday, February 18, 2015
Tuesday, February 17, 2015
Friday, February 13, 2015
Thursday, February 12, 2015
Wednesday, February 11, 2015
Tuesday, February 10, 2015
Monday, February 9, 2015
Fantastic Four #107 (Pt 3) Johnny Misses Crystal
Friday, February 6, 2015
Thursday, February 5, 2015
Fantastic Four #107 (Pt 1) John Buscema's Fantastic Four
Surprise! Betcha expected to see more Giant-Size Avengers #1 here. Well, I do have more Buckler queued up--boy, do I ever--but for some time now I've been itching to post a sampling of John Buscema's Fantastic Four. (I also have some John Romita Sr. FF in the hopper, but frankly I don't find it as interesting as Buscema's--or Buckler's--so it'll have to wait.)
You probably already know that Jack Kirby's last Fantastic Four issue was #102 (1970). Romita Sr. stepped in to fill the void and penciled issues #103-106. In John Romita...And All That Jazz, the Jazzy One noted he was "raised in the syndicated artists ghost period." That is, there was a time-honored tradition of keeping characters, especially well-known or longtime ones, "on model." And for the FF specifically, there was the need to adhere to the established versions of the Baxter Building...Reed's lab and equipment...the Negative Zone...and so on. Accordingly, it seems that both Romita and Buscema--who took over as the FF's regular penciler with #107--used the Kirby issues as their Bible.
Also, during this post-Kirby period it wasn't just the art that evoked the Lee-Kirby era-FF. It was a time of transition for Marvel; not only was Kirby gone, but there were new owners, Marvel was in the throes of expansion, and Stan Lee was in the process of becoming publisher. With so many responsibilities--and without Kirby--it appears that when Lee put his writer hat on, he turned to what had worked in the past: Reed trying to change Ben back to his former appearance; Ben turning against the rest of the team; Thing versus Hulk; Reed trapped in the Negative Zone; Johnny brooding over Crystal; battles against all-powerful antagonists like Galactus...you get the idea. All this may have seemed fresh and exciting for readers brand new to the FF; but as someone who'd been reading the mag for a few years, this mining-the-past approach struck me as stale and uninspired--it was déjà vu all over again...and again...and again...
Okay, let's take a look at Reed trying to change the Thing back to his Ben Grimm appearance, from both FF #107 (Big John's first issue) and FF #78. Looks like Reed's using the same equipment both times, so chalk up one for consistency!
You probably already know that Jack Kirby's last Fantastic Four issue was #102 (1970). Romita Sr. stepped in to fill the void and penciled issues #103-106. In John Romita...And All That Jazz, the Jazzy One noted he was "raised in the syndicated artists ghost period." That is, there was a time-honored tradition of keeping characters, especially well-known or longtime ones, "on model." And for the FF specifically, there was the need to adhere to the established versions of the Baxter Building...Reed's lab and equipment...the Negative Zone...and so on. Accordingly, it seems that both Romita and Buscema--who took over as the FF's regular penciler with #107--used the Kirby issues as their Bible.
FF 107 (1971) Buscema FF 78 (1968) Kirby |
Okay, let's take a look at Reed trying to change the Thing back to his Ben Grimm appearance, from both FF #107 (Big John's first issue) and FF #78. Looks like Reed's using the same equipment both times, so chalk up one for consistency!
Fantastic Four #107 (1971) J. Buscema |
Fantastic Four #78 (1968) Kirby |
Fantastic Four #107 (1971) J. Buscema |
Fantastic Four #78 (1968) Kirby And be sure to check out the amazing Chris Tolworthy's Fantastic Four: The Great American Novel site and the awesome Kirby-Buscema FF collage he created that includes the above images! |
Wednesday, February 4, 2015
Giant-Size Avengers #1 (Pt 32) Thor Stands Firm
Giant-Size Avengers #1 (1974) Buckler |
Thor #172 (1970) Jack Kirby
Yep, it's the same GSA panel we looked at last time. ;)
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And later on, in Avengers #211, here's Gene Colan's Thor:
Tuesday, February 3, 2015
Giant-Size Avengers #1 (Pt 31) Captain America, Mantis, Reed and Sue
Monday, February 2, 2015
Giant-Size Avengers #1 (Pt 30) More Scarlet Witch, Whizzer, Sue and Reed
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